![]() |
Florence Welch performing in a giant clam at the Spring 2012 show. |
[This post was done as an assignment for my Creative Fashion Presentations class at the Fashion Institute of Technology. It is blog post #4. If you are not a student at FIT, feel free to read, comment, and obsess over the photos anyways, because HELLO -- It's CHANEL, and I'm pretty sure you'll LOVE it!]
For this assignment, I focused on an article in the New York Times blog by Cathy Horyn. If you have no idea who Cathy Horyn is, then we have a lot in common. Or, at least we did as of earlier this week.
A few days ago, I was at a coffee house outside campus while on a break between classes. Thanks to my new phone [finally!] I can now waste even more time by Googling random fashion shows not only from my awesome apartment, but from virtually any place I please.
![]() |
Cathy Horyn attends about as many shows as Anna Wintour. |
So, when it came time for this assignment, I already knew which blogger I would focus on -- None other than Ms. Cathy Horyn! But as for the collection I would zero in on, well, that wasn't too hard either. After all, when in doubt, choose Chanel! [Yes, you can quote that.]
The main factor that draws me to Horyn's writing is her dictation. She's so detailed, which allows the reader to picture the garments as well as the atmosphere as if they were actually there. Here are a few examples of Cathy Horyn's descriptive language:
"The shapes were soft, mostly short and slightly rounded, with a sense of mobility."
"...embroidered along the edges with slivers of mother-of-pearl."
"Many fabrics had a glistening effect..."